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This design for a
highly decorated ornamental vase is taken from Charles James Mason's
pattern book and was introduced between 1834 and 1840. |
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These
designs are taken from the 'Book of Engravings' for Wedgwood Earthenware
tableware dating from about 1914. John E Goodwin, Art Director of
the Wedgwood Etruria Factory from 1904 to 1934, designed 'Tonquin'. |
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Pattern number 1053.
Outlined in black and decorated in blue showing a Mason subject of two
Oriental figures and cranes. This design appears in a Charles James
Mason dinner ware pattern book dating from 1832-1834. |
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In 1813 C J Mason took
out a patent to manufacture 'Ironstone China'. These four patterns were
some of the designs especially created for this new material. Top left
and bottom right are taken from Francis Morley's pattern book dated
around 1853-1858. |
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Born in 1848,
Australian Flora artist, Marian Ellis Rowan, travelled extensively,
painting the birds and wildlife of Northern Australia, Thursday Island
and New Guinea.... |
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Born in 1848,
Australian Flora artist, Marian Ellis Rowan, travelled extensively,
painting the birds and wildlife of Northern Australia, Thursday Island
and New Guinea.... |
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Born in 1848,
Australian Flora artist, Marian Ellis Rowan, travelled extensively,
painting the birds and wildlife of Northern Australia, Thursday Island
and New Guinea.... |
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Born in 1848,
Australian Flora artist, Marian Ellis Rowan, travelled extensively,
painting the birds and wildlife of Northern Australia, Thursday Island
and New Guinea.... |
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Born in 1848,
Australian Flora artist, Marian Ellis Rowan, travelled extensively,
painting the birds and wildlife of Northern Australia, Thursday Island
and New Guinea.... |
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Born in 1848,
Australian Flora artist, Marian Ellis Rowan, travelled extensively,
painting the birds and wildlife of Northern Australia, Thursday Island
and New Guinea.... |
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In 1813, C J Mason took out a patent for the manufacture of 'Ironstone
China'. Many exciting and vibrant designs were created for this new
material... |
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Dated between 1834 and 1840, this jug with serpent handle was taken from
the pattern book of Charles James Mason. |
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Early 19th century shell-shaped tureen and cover in white bisque.
Conchology was an enduring hobby of Josiah Wedgwood 1 and is often
reflected in ceramic designs produced by the company he founded.
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Vase with gold-printed and enamelled 'Flying Hummingbirds' against a
mottled blue lustre background. Designed by Daisy Makeig-Jones in 1916. |
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Interior of butterfly lustre bowl decorated with mother of pearly
lustre. Designed by Daisy Makeig-Jones and introduced in November 1914. |
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Lustre bowl with crimson mottled surface, checkered border and butterfly
motif overprinted in gold. Designed by Daisy Makeig-Jones in 1914. |
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Octagonal bowl in bone china. The interior is decorated with mother of
pearl lustre and the exterior with fish motifs against a powder-blue
background. Designed by Daisy Makeig-Jones in 1914. |
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Bone china cream jug decorated with 'Persian Ponies'. The pattern was
designed by Victor Skellern in 1934. |
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Plate, hand-painted with silver lustre and coloured enamels in the style
of Rhodian ware, 1926. |
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Fish vase, hand-pierced and decorated with lustrous glazes. An example
of studio pottery by Elwyn James from 1975. |
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Lobster salad bowl in Queen's Ware with printed and painted seaweed
pattern. The patent was registered in 1885. |
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Trumpet-shaped vase with Manila hand-painted fruit and floral pattern in
coloured enamel against a yellow ground. Circa 1913. |
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Snake-handled vase in white on black Jasper. First introduced in 1783. |
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Number of items
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Total Value: £ |
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